Mantid Days
Mantid Days
these last few have been mantid days
and everywhere it seems, are tiny pale and tender insect miniatures
posed in attitudes of patient prayer. insectile pharisees of the fall.
aloe that summered on the porch
(brought inside at the report of frost
in butter tubs and plastic cups,
green pups expecting potting soil and better digs)
brought the first one to the level of my eyes.
it was clutching a slender young and jade-pale aloe spike, living jewelry.
etched gold wire legs, body pale spring citrine. for accent ruby chips
pot, plant and insect departed my warm brown desk
returned to the porch for chilly shelter and survival by their own devices,
but I have seen more one inch monsters since.
one on the door
kneeling to share the word with its glass reflection,
another posted on the mailbox,
the USPS in its meditations, or prayerfully auditioning to stand for next spring’s stamp.
frost did come at last as promised and the only traces left are filamentous legs
still grasping leaves, transparent body empty now: molted,
or to answer its petition, relieved of mortal shell
its chitin coat, an empty prayer left for the needy
THREE
THREE
1.
From the hill whose long and fading shadow
reached back to the night, she watched the lower town
emerge from faded color into red touched light.
Awake, but suddenly released from months
of urgency, from need to be somewhere,
somewhere, somewhere else.
What strange restlessness
brought her to this place, and now?
the blue depths of the western sky
were clear from where they rose
out of the dirty bay, reaching dark
beyond the moon’s translucent oval.
can the moon
see what is coming
does she feel
the press of the storm
she thought that she might almost feel
the wind against the mountain’s back
not a gentle teasing sunrise touch,
a pressure like a steady hand.
far out on the bay a rowboat fled
through swells the wind tipped
blood pink with froth and sunrise
hurry to your mother
little water beetle
tell the captain
he should be away
Movement on the shadowed dock resolved
to shape three scarecrows, shambling things,
unsteady on their driftwood feet.
One hid the sun behind his hand
another dropped onto the planks,
releasing an impossible load
bundles, sea bags, burdens.
The third scare crow, a bag of drift
and bone, pearl-shelled fragments,
flotsom in the shape of man
looked over one tenth of a town
and met her eyes
2.
His second day aboardship,
a glancing blow, the backhand
of a boom he hadn’t learned
to watch for, caught him and
he saw the sun explode inside
his temple. So the sunrise
from the mountain stunned him
and he thought:
I’m dying in this place
Still he answered the boy’s question
with a nod to the old cook–no longer
Cook, now nameless.
And he thought: and so am I
nameless, homeless, free.
Youngest whined again,
accustomed, after months
of kicks and threats, to orders,
lost with none of those
and nothing in their place.
Oldest straightened like a man
and took a step toward solid land:
You find a place
above the surge
you call it home.
3.
Three, they say, can keep a secret. If two of them are dead.
There was something–air, perhaps, or water
something in the garden dirt or something in the plants
brought secrets to the island, to the city there
Something lured them in, and held them mute
Let men hide the past inside like grains of sand
let them shape it as they would, so their lives
could hold it, smoothing history
with lies and fabrication
Tumor, cyst, or pearl,
the city held their secrets safe,
safe as death, and love and home
safe as a city made for dead men